Thursday, May 24, 2012

Quality Control Procedure (Part 05)

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CLASSIFICATION OF MAJOR AND MINOR DEFECTS
MATERIALS (FABRICS)

DEFECTS
MAJOR
MINOR

Any holes, obvious weakness or flaw that could develop into a hole.

Yes


Any cuts, tears or surface repairs made during production, packaging or transit.
Yes


Any pulled threads or snags between buttons or button holes, seams or visible part.

Yes


Any Slub 1cm or more in length or 2 threads wide in any conspicuous or focal points of garments.

Other hidden or obscure areas.

Any Slub 1cm or below.

Yes




Yes

Yes

Any barre fabric, dye spots, misprints, smudges or faulty registration of prints that are obviously noticeable


Yes


Any miss-matching or stripes, checks, plaids, on fronts, backs or seams. (Not agreed on sealed sample).


Yes


Any bowing of the fabric. If it seriously affects the appearance or performance of the garment.

a.    1.2cm or more

b.    Less than 1cm





Yes






Yes

Any shading of parts within the garment. Shade variations within or between garments. (Not agreed on sealed sample).


Yes


Any pilling or surface fuzzing of fabrics.

Yes


Any yellowing of fabric trims and shoulder pads due to nitrogen dioxide and packaging.


Yes


Any high immature cotton or foreign fiber content.

Yes


Any monofilament sowing yarns.

Yes


Any variation on in handle or finish (Not agreed on sealed sample).


Yes



Regards
Bipul

Tuesday, May 22, 2012

Quality Control Procedure (Part 04)

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DUTIES OF A BUYING HOUSE QUALITY INSPECTOR’S 

1. On completion of dyeing / finishing, check the following points prior to cutting:

a. Main fabric, collars, cuffs and neck rib - all dye lot’s are correct shade to the approved swatch

b. Fabric appearance.

c. Collars, culls and neck rib - weight and knitting tensions are consistent.

d. Submit one meter of fabric for testing across all color ways stated on contract.

e. If all die above checks are satisfactory, release to cutting department. Ensure fabric is cut on the grain


The following checks should be made at the start of production:

a. Spot check lines for major / minor defects as identified in classification. Ensure make up meets the standards of the sealed sample and that any customer comments are adhered to.

b. Check for shading in garments.

c. Check measurement's are within size chart tolerance

d. Check pressing standards are maintained.

e. Check sew in labels are inserted as per the information on the contract.

f. Check that supervisors and quality inspectors are working to given procedures.

g. Submit production samples and complete quality report sheet.

h. Communicate by mobile and fax any problems encountered in the factory at production stage.


Stock quality audit role check as listed below :

a. Stock to be checked in accordance with the major / minor defects classification using the attached sampling plan guide. Always check stock against the seal sample and comments made.

b. Sew in labels / kimballs.

c. Packaging - i.e. correct size poly bag, and correct pack ratio. d. Cartons - i.e. quality, dimensions, description detail on outside of carton.

Regards
Bipul

Sunday, May 20, 2012

Quality Control Procedure (Part 03)

Learn Apparel Merchandising Learn Fashion Designing 
8. Table inspector

a. Measure garments are correct for size.

b. Check collar has been attached evenly, and there is no puckering at the front neck opening.

c. Remove lot number stickers. Mb if lot numbers do not all correspond, reject the garment and report to the supervisor.

d. Check for fabric flaws.

e. Check for stains.

f. Check top stitching, buttons and button holes.

g. Check labels

h. Check for neck stretch

i. Check for needle damage


9. Pressing

a. Press garments flat, do not press the front panel and then turn the sleeves over onto it and press, as this leaves sleeve impression marks on the body panels

b. Lightly steam the placket.

c. Fold as demonstrated



10. Final examination

a. Check for stains.

b. Ensure that sleeves / collars / cuffs match the body panel. If there is a variation in shade, then reject-garments. Do not send for packing.

c. Check that the label is central, and that the correct size has been inserted.

d. Check the panels for fabric flaws and holes.

e. Check the top stitching for slipped stitches.

f. Check buttons / button holes.

g. Scan side scams for breaking out.

h. Check placket is straight.

i. Fold as demonstrated



11. Packing

a. Ensure collars are attached evenly - reject garments with puckering

b. In the ease of twin packs, ensure both garments are the same shade.

c. Cheek Kimball and hanging tag for correct size and sew in label.

d. Pack according to customer requirement,'.



12. Quality Inspectors (on each line)

a. Ensure helper’s are correctly instructed to identify make up faults.

b. Machinists should be checked morning and afternoon.

c. Table inspectors should be checked four times daily.

d. Ensure neck stretch is achievable on t-shirts.

e. Check tensions, scam bite, stitches per 2.5cm, and cracking on seams.

f. Check for needle damage.

g. Make sure that the over lockers have taken off the correct seam allowance

h. Check pressing i packing.

i. Check final examination.


13. Supervisors (on each line)

Supervisors are responsible for ensuring that all quality procedures are adhered to, and that quality standards arc maintained throughout the production process. This should reduce the number of garments returned from the final examination area.


14. Single Jersey / Polyester / Cotton Fabric 

Always use number 7 needles, not size number 9 with these fabrics in order to prevent needle damage.

Regards
Bipul

Quality Control Procedure (Part 02)

Learn Apparel Merchandising Learn Fashion Designing 

Factory Quality procedure


Make Up / Examination / Pressing & Packing


1. Continuity

Before fabric is issued to the cutting department, a swatch is to be taken off each dye batch of fabric, plus collars and cuffs, and mounted onto a continuity card for checking against approved swatch. If a batch is received which does not match the approved swatch, then the fabric is to be rejected. Collars and cuffs should be tested and treated in the same way.


2. Collars/cuffs

Ensure that the correct lot numbers are attached to the main fabric


3. Cutting table

Whew laying out fabric only lay out one lot number at a tune. Check for dye evenness, knitting faults and hand feel.


4. Numbering
a. Each sleeve, front and back panels, and placket should be numbered. In addition, the back neck tape should be given a matching lot number.

b. Stall should be organized so as to have one person sticking numbers, and another bundling.


5. Sewing

a. When bundles of work arc loaded onto the line, the line supervisor should check that collars, culls, plackets and body panels have the same lot number before stitching begins

b. When cutting down the ccntie of the placket, make sure that the cut is slightly to the left hand side as worn. This should ensure that the placket docs not break out on the* right hand bottom corner

c. Check labels.


6. Thread trimmings

Ensure all thread ends are cleanly cut.



7. Initial Examination to be done by helpers on line

The following should be checked

a. All scams for cracking, missed stitching, tensions etc.

b. All top stitching.

c. Buttons and button holes.

d. Placket for breaking out at bottom corner,

e. All seams for needle damage

f. Shoulder tape twisted.

g. Twin needle stitching around neck / armholes is not cracking

h. Twin needle hemming to ensure no raw edges arc visible.

i. Sew in labels arc positioned at the centre of die back neck.

j. Collars are marked to the correct measurement.

k. Tensions.

l. Shoulder tape secure.

m. Neck stretch is achievable and not cracking.


To be continue...................

Friday, May 18, 2012

Quality Control Procedure (Part 01)

Learn Apparel Merchandising Learn Fashion Designing 


A) Yarn quality and yarn count check.          
B) Lab dip approval
C) Grey fabric check at the knitting stage,
D) Fabrics, collar cuff, rib etc check with approval
E) Fabrics feel in-house test report check each batch.
F) Shrinkage, gsm, color fastness double check in own office.
G) " CMC" report " DEL" "E" value check hatch batches'
H) Shade continuity card all dye lot and keep record.
I) Bulk fabrics approval color wise (if necessary style and order wise also)

*** "CMC" and "DEL" "E"  - Click here

2) Pre production:
Pre production sample approval with all accessories (actual)

3) Cutting:

A) Pattern check with approval sample and spec
B) Test cutting should cover all the sizes and color.
C) Check measurement details.
D) Bulk cutting approval and fabrics lay as per buyer requirement.


4) Sewing:

A) Check accessories, trim with approval
B) Check machineries fitness
C) Check stitch count per inch all sewing operation as per buyer requirement.
D) Machine feet "pressure mark" all swe1ng operation (i.e. placket, placket box, collar, rib and armhole) must be control. Machine feet pressure- mark for darker color not acceptable.
E) Machine tension (O/l, P/m, F/L) operation wise check.
F) For ale the trousers make sure that back & forth stitching on the crouch.
  
5) Finishing:
A) Press garments flat, do not press front placket, collar, front panel armhole and all seam area.
B) All over lock raw edges (i.e. Armhole side seam) laying under the garments same direction
C) For darker color iron show must be used before ironing.
D) Folding and card board marks is not show when garments is flat.
E) Any accessories mark (it. Label, hang tag, tag pin, safety pin, button) are not acceptable.

6) Packing:
A) After folding garments should be neat and clean both side than put in to poly bag and sealed
B) Presentation and get up check before carton.
C) No pressures when closed the carton.
D) Top, bottom, card board and divider must be need before closing the carton’s

Regards
Bipul

Monday, May 14, 2012

MARKER MAKING (Cutting Part 2)

Learn Apparel Merchandising Learn Fashion Designing. 
Introduction


For industrial garments preparation, marker making is a very important chapter for highest usage of fabric and for lowest wastage of fabric.

This is a process which is performed to draw the pattern pieces on the fabric before cutting. This may be done by drawing the pattern pieces on the fabric directly or by drawing the pattern pieces on a thin marker paper and then placement the paper onto the fabric lay. So, we can define the marker as bellow.
Marker is a thin paper which contains all necessary pattern pieces for all sizes for a particular style of garments in such a way that, fabric wastage would be least. The representation or drawing of the arrangement of identified garment pattern relevant to the cutting of a batch material. The marker is placed on the material and provides guideline for cutting. Marker may be on fabric or held in computer data files. Marker width is equal to the minimum fabric width and its length depends on the no of pattern sizes that will be drawn.

Preparations of Marker Making


Before the marker making, some preparatory processes would be followed. The processes are discussed ago (In preparatory processes chapter). Without those, some others preparations are


  • Marking Grain Line : Before marker making, the grain line of pattern and fabric must be marked.
  • Fabric Measurement : Before marker planning, the fabric must be measured carefully. Because, marker width is relevant to the minimum fabric width.
  • Fabric Faults : Fabric faults would be also under consideration. In a fabric roll, where any faults found, that points must be avoided for quality production and to least the fabric wastage.
  • Cutting Table : Marker planner should consider the cutting table length before making marker. Marker length must be less than the cutting table length.

Constraints of Marker Making
During marker making, the work of the marker planner is subjected to a number of constraints.
These relate to

i. The nature of the fabric and the desired result in the finished garment.
ii. The requirements of quality in cutting.
iii. The requirements of production planning.


The nature of the fabric and the desired result in the finished garment


  • Pattern alignment in relation to the grain of the fabric

Pattern pieces normally carry a grain line. When pattern pieces are laid down the piece of cloth, the grain line should lie parallel to the line of the warp in a woven fabric or the wales in a knitted fabric. Where pattern pieces are laid across the piece, the grain line should lie parallel to the weft or course direction. If the marker planner lays down a pattern outside the stated rules for grain lines, then the finished garment will not hang and drape correctly when worn. This requirement to follow the grain lines restricts the freedom of the marker planner in choosing how to lay the patterns in the marker.


  • Symmetry or Asymmetry

Many fabrics can be turned round (through 180.) and retain the same appearance are called symmetrical. They require no special attention during marker making.

Asymmetrical fabrics are those which are turned (through 180.) and do not retain the same appearance. Examples of such fabrics are pile which is brushed in one direction and which show different reflection of light. The marker should be planned in such a way that it is in accordance with symmetry, asymmetry of the fabric. All pattern pieces of a garment should be along the same direction when laid down on a symmetrical fabric.


  • Design characteristics of the finished garments

If a vertical stripe does not show a complete mirror image repeat, the right and left sides of a garment may be mirror images of each other. In this case, a pattern should be placed on checks in such a way that the design matches when sewing up. During marker planning, a marker maker must have to think about matching the checks and stripes in a garment. His freedom is restricted here. So I think it¡¦s a constraints for a marker maker.

The Requirements of Quality in Cutting



  • For majority of cutting situations where a knife blade is used, the placements of the pattern pieces in the marker must give freedom of knife movement. A blade, which has width, cannot turn a perfect right angle in the middle of pattern piece and space must always be allowed for a knife to turn such corners. The amount of space depends on the actual cutting method employed.
  • Pattern count check that the complete menu of pattern has been included.
  • Correct labeling of cut garments parts is essential to identify correctly the garment parts for whole garment sizes. It is the responsibility of the marker planner to code every pattern pieces with its sizes as the marker is planned.

The Requirements of Production Planning

When an order placed for a quantity of garments, normally specifies a quantity of each size and colour. If the sewing room requires the cut work urgently, the marker may make two markers.

  1. Short marker and
  2. Long marker.


  • For long marker, it can be made according to the size proportion and different sizes. This process is very much efficient and takes more time and increased shade variation.
  • For short marker and for the particular order two marker can be made, this process is less efficient but takes less time and more production and small cutting table.
  • For complex garments long markers generally offer more opportunities for savings than do short ones.
  • The more sizes that included in a marker, the greater are the scope for fabric savings.

Greater fabric savings and after lower total cost would normally result, from cutting a stepped lay with paper markers on top.

However, though for greater efficiency, a marker maker needs opportunity to work with freedom, but for maintaining proper quality some criteria must be followed. That is why there are some constraints of marker making.


Methods of Marker Making


There are two methods of marker making.
i. Manual method.
ii. Computerized method.

Here marker is produced in two ways.


  1. Marker drawn directly on fabric lay.
  2. Marker drawn on marker paper.

Marker drawn directly on fabric lay
This is the oldest and mostly used method for marker making. In this processes fabric is spreaded on cutting table and setting up all pattern pieces directly on to the fabric. Marking is done by chalk, pencil or pen. In order of this method, needs more time and experience.


Marker drawn on marker paper
In this process marker is made on marker paper. All the pattern pieces are laid on a thin marker paper and drawn it. Then the marker paper in placed on fabric lay and used for fabric cutting. Before planning the marker, fabric length and width must be taken under consideration.
Marker directly on fabric Marker on a thin paper


The advantages of computerized method are given bellow comparing with the manual method.

Advantages

  • More suitable for large scale production than the manual method.
  • Marker efficiency is higher than manual.
  • Least wastage of fabric.
  • Low production cost.
  • Low labour cost.
  • If required, print out of the marker could be got.
  • Grading of the pattern could be done automatically.
  • Few time consumption.
  • Marker can be prepared quickly than manual.

Disadvantages

  • Initial investment is higher than manual.
  • More skilled operator is needed than manual.

However, everything has its positive and negative sides. But in comparison, the advantages of computerized marker are more than the manual. It increases the efficiency, workability and production of the factory. It saves valuable time and leasts fabric wastage. Thus saves money too. Moreover it attracts buyers with its modern facilities.


(Collected)

Regards
Bipul

PREPARATORY PROCESSES (Cutting Part 1)


Learn Apparel Merchandising Learn Fashion Designing. 
After receiving the finished fabric from the dyeing and finishing section, there are some processes to prepare the fabric for bulk production. All these processes combined can be called preparatory processes.

The preparatory processes are

 Fabric inspection.
 Fabric Relaxation.
 Different tests i.e. GSM test, Shrinkage test, Twisting, Fastness test, Fabric dia, Shade, Consumption etc. for quality assurance.
 Test Cutting.
 Approval.

Fabric Inspection
When the fabrics are received from the dyeing and finishing section, it needs to be checked, because, faulty fabrics can be supplied from dyeing and finishing. But the cutting section has to check it. Otherwise the end products will be faulty.
For this, the fabric is being inspected by the quality inspector of the cutting section. They check the fabric fully and find out the faults. Then mark it so that, these faulty portion of the fabric can be rejected during spreading and cutting. Then the fabric is being stored for relaxation.

Fabric Relaxation
When the fabric comes from the dyeing and finishing, the fabric remains a slightly hot. In dryer, stenter and compactor heat is applied on fabric. So moisture is removed from the fabric and it is not in actual condition. But if we keep the fabric in normal temperature and pressure for a certain time, the fabric absorbs moisture from the atmosphere and regains its original nature. This process is called fabric relaxation.
Another cause of fabric relaxation is to maintain the dimensional stability of produced garments. When the fabric is being processed in different finishing machines, it goes under certain heat and pressure to give it proper shape. But when the heat and pressure is being withdrawn, the shape may change. So, if the dimension is became stabilized before cutting, no chance of strain in garments. So relaxation is very necessary before cutting.

Relaxation Period
Fabric relaxation is performed for a certain period. This time is varied from fabric to fabric. But the minimum time of relaxation is twelve (12) hours. This time also may vary according to the buyer’s recommendation.
After fabric relaxation, different tests are performed for maintaining the proper quality.

Different Tests
Different tests are being performed here to ensure the buyer recommended quality. Among the tests, the important test matters are GSM, dia, shed, shrinkage, twisting, fastness etc. These tests are done to be sure about that the fabric quality is fare enough for maintaining garments quality.

Test Cutting & Approval
After testing the fabric, if it is seemed that, the fabric quality is ok, and then test cutting is done. Here a little amount of fabric is cut and sewed in sewing section. Then the garments are compared with the approved sample. Sewing allowance and other measurements are also observed.
If everything is ok, then the approval is given and the fabric is ready for bulk production.

To be continue.............

Friday, May 11, 2012

Some Grey Yarn Problems

Learn Fashion Merchandising Learn Fashion Designing. 
  • CONTAMINATION PROBLEM
      When we dye the fabrics in various color then some portion of yarn is not absorbs the dye molecule. This problem is called contamination.

  • THICK & THIN
      We understand by the term the variation in X- Sectional area of a yarn. It is a great fault of a yarn. For this fault we get the following problems in production field-
  1. Needle breakage 
  2. Yarn Breakage
  3. Un-even shade 
  4. GSM Variation
  5. Fabric surface are not smooth & soft & good fillings. 

  • MIX LOT 
      When we use different lot (yarn) for one production then it is called mix lot . For this reason fabric got    uneven dyeing shade/ shade variation.


  • PATTA
     Pattra are different types that we found in our production field –
  1. Yarn patta ( Thick & Thin/ mix lot)
  2. Color patta (Thick & Thin/ mix lot, temp,)
  3. Roller patta ( tention variation in take up roller)
  4. Tension patta ( Tention Variation) 
  5. Cam patta ( Feeder Missing)

Regards
Bipul
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